Zanzibar Large Flush Ceiling Light - 55 cm
Dispatch. We dispatch your parcels Monday to Friday, within 1 to 2 working days of order confirmation. Delivery then takes 6 to 18 working days depending on the product and your location.
You will receive tracking information within 24 hours of your order leaving the warehouse, at the email address given at checkout.
Returns and exchanges. Both are accepted within the statutory period of 14 days after your order is delivered to your home.

The "Zanzibar Large" flush ceiling light takes its inspiration from the exotic island of Zanzibar, famous for its white sandy beaches and crystal-clear waters.
This light captures the bright, serene essence of this paradise destination, bringing a touch of natural elegance and sophistication to your home.

This disc-shaped ceiling light is made from white rattan, hand-woven by skilled artisans, showcasing traditional craftsmanship.
The wavy rattan spokes create a subtle, refined pattern, casting a soft, pleasant light that recalls the sunshine of Zanzibar.
With a diameter of 55 cm, the "Zanzibar Large" is ideal for large spaces such as living rooms, large dining rooms or even master bedrooms, where it adds a touch of elegance and modernity.

Every purchase of the "Zanzibar Large" contributes to reforestation initiatives and the distribution of solar lamps to disadvantaged communities, underlining Good & Mojo's commitment to sustainability and humanitarian aid.
Bring the sunny elegance and refinement of Zanzibar to your spaces with the "Zanzibar Large" ceiling light and support environmental and social initiatives with every purchase.
A beautiful shape is not enough: the material still has to accept it. Before approving a design, we go through it with the workshops that will make it. Here is how one of our pieces came to life.

It all starts with a trend. We follow what circulates on Pinterest, Instagram and interior blogs, and we spot the styles on the rise. Here it was the natural look: plant fibres, wide shapes, warm tones. We also look at where the piece will live, and this one needs height or width: above a large table, in a stairwell, under a cathedral ceiling.

The style appelle la fibre végétale, mais toutes ne se valent pas. L'osier casse au cintrage, le jonc de mer reste raide. Le rotin, lui, est une liane de palmier grimpant d'Asie du Sud-Est : trempée, elle devient souple et accepte n'importe quelle courbe, puis se fige en séchant. Sur une pièce de cette envergure, ce rapport entre souplesse au montage et tenue une fois sec décide de tout.

This is where many fine ideas stop. Before going further, we ask the workshop what the material really allows: at that span, will rattan hold? The answer comes down to one simple step, soaking. The strands go into water until they turn supple, they can then be bent without breaking, and they set as they dry. Once feasibility is confirmed, we move on to the drawing.

A flared, very open shape, almost a hat, with rods spaced far enough apart for the light to pass between them. The proportions are drawn and redrawn: too flat and the shade dazzles, too deep and it traps the light. A real piece is then assembled and switched on, and we look at the radiating pattern it casts on the ceiling.
Once the design is approved, the workshop starts the production run. The pieces reach the warehouse, where order pickers wrap them one by one before dispatch, ready to dress a new home.