"Kalimantan Vertical dia L" Pendant Lamp by Good & Mojo
Dispatch. We dispatch your parcels Monday to Friday, within 1 to 2 working days of order confirmation. Delivery then takes 6 to 18 working days depending on the product and your location.
You will receive tracking information within 24 hours of your order leaving the warehouse, at the email address given at checkout.
Returns and exchanges. Both are accepted within the statutory period of 14 days after your order is delivered to your home.

The "Kalimantan Vertical L" takes its inspiration from the lush region of Kalimantan in Borneo, where rich biodiversity shows itself in dense forests and remarkable wildlife.
This larger model captures the essence of Kalimantan's vast landscapes, offering a touch of South-East Asia through its expansive, natural design.
This larger version of the "Kalimantan Vertical" features bamboo weaving handmade in Indonesia, forming an elegant rosette that frames the bulb visible at its centre.
This structure lets you vary the bulbs to personalise the lighting to your needs and tastes, adding visual dynamism to the space.
The larger size of this model makes it an impressive focal point in bigger spaces, such as grand entrance halls or rooms with high ceilings.
The "Kalimantan Vertical L" pendant light comes with a 200 cm black fabric cord, allowing customisable installation and easy integration into a variety of décors, from boho to Scandinavian, and even contemporary.
The lamp adjusts from 87 cm to 200 cm in height, making each installation unique and suited to its surroundings.
By buying this lamp, you contribute to reforestation projects and to providing solar lamps to the communities that need them most, underlining Good & Mojo and BE SHINE's commitment to a lasting positive impact on our planet and its people.
A beautiful shape is not enough: the material still has to accept it. Before approving a design, we go through it with the workshops that will make it. Here is how one of our pieces came to life.

It all starts with a trend. We follow what circulates on Pinterest, Instagram and interior blogs, and we spot the styles on the rise. Here it was the natural look: plant fibres, wide shapes, warm tones. We also look at where the piece will live, and this one needs height or width: above a large table, in a stairwell, under a cathedral ceiling.

The style appelle la fibre végétale, mais toutes ne se valent pas. L'osier casse au cintrage, le jonc de mer reste raide. Le rotin, lui, est une liane de palmier grimpant d'Asie du Sud-Est : trempée, elle devient souple et accepte n'importe quelle courbe, puis se fige en séchant. Sur une pièce de cette envergure, ce rapport entre souplesse au montage et tenue une fois sec décide de tout.

This is where many fine ideas stop. Before going further, we ask the workshop what the material really allows: at that span, will rattan hold? The answer comes down to one simple step, soaking. The strands go into water until they turn supple, they can then be bent without breaking, and they set as they dry. Once feasibility is confirmed, we move on to the drawing.

A flared, very open shape, almost a hat, with rods spaced far enough apart for the light to pass between them. The proportions are drawn and redrawn: too flat and the shade dazzles, too deep and it traps the light. A real piece is then assembled and switched on, and we look at the radiating pattern it casts on the ceiling.
Once the design is approved, the workshop starts the production run. The pieces reach the warehouse, where order pickers wrap them one by one before dispatch, ready to dress a new home.