"Kalimantan M" Bamboo Wall Light
Dispatch. We dispatch your parcels Monday to Friday, within 1 to 2 working days of order confirmation. Delivery then takes 6 to 18 working days depending on the product and your location.
You will receive tracking information within 24 hours of your order leaving the warehouse, at the email address given at checkout.
Returns and exchanges. Both are accepted within the statutory period of 14 days after your order is delivered to your home.

The "Kalimantan M" wall light by Good & Mojo is inspired by the rich biodiversity and exotic landscapes of the Kalimantan region on the island of Borneo.
This light captures the essence of this lush region, bringing a touch of nature and serenity to your interior.

This 60 cm diameter wall light is made from natural and black bamboo, hand-woven by talented artisans in Vietnam.
The elegant contrast between the natural and black-dyed fibres creates a unique decorative piece that gives off a soft, warm light.
The airy design of the bamboo rosette adds subtle sophistication to your wall while creating a welcoming, soothing atmosphere.
Perfect for living rooms, bedrooms, entrance halls or offices, this light enhances any space with its natural charm and modern aesthetic.

Every purchase of the "Kalimantan M" wall light contributes to reforestation initiatives and the distribution of solar lamps to underprivileged communities.
This commitment highlights Good & Mojo's mission to promote sustainability and provide meaningful humanitarian aid.
Light up your home with the "Kalimantan M" bamboo wall light by Good & Mojo, and take part in environmental and social initiatives with every purchase.
A beautiful shape is not enough: the material still has to accept it. Before approving a design, we go through it with the workshops that will make it. Here is how one of our pieces came to life.

It all starts with a trend. We follow what circulates on Pinterest, Instagram and interior blogs, and we spot the styles on the rise. Here it was the natural look: plant fibres, wide shapes, warm tones. We also look at where the piece will live, and this one needs height or width: above a large table, in a stairwell, under a cathedral ceiling.

The style appelle la fibre végétale, mais toutes ne se valent pas. L'osier casse au cintrage, le jonc de mer reste raide. Le rotin, lui, est une liane de palmier grimpant d'Asie du Sud-Est : trempée, elle devient souple et accepte n'importe quelle courbe, puis se fige en séchant. Sur une pièce de cette envergure, ce rapport entre souplesse au montage et tenue une fois sec décide de tout.

This is where many fine ideas stop. Before going further, we ask the workshop what the material really allows: at that span, will rattan hold? The answer comes down to one simple step, soaking. The strands go into water until they turn supple, they can then be bent without breaking, and they set as they dry. Once feasibility is confirmed, we move on to the drawing.

A flared, very open shape, almost a hat, with rods spaced far enough apart for the light to pass between them. The proportions are drawn and redrawn: too flat and the shade dazzles, too deep and it traps the light. A real piece is then assembled and switched on, and we look at the radiating pattern it casts on the ceiling.
Once the design is approved, the workshop starts the production run. The pieces reach the warehouse, where order pickers wrap them one by one before dispatch, ready to dress a new home.