Amber Glass Tripod Design Table Lamp
Dispatch. We dispatch your parcels Monday to Friday, within 1 to 2 working days of order confirmation. Delivery then takes 6 to 18 working days depending on the product and your location.
You will receive tracking information within 24 hours of your order leaving the warehouse, at the email address given at checkout.
Returns and exchanges. Both are accepted within the statutory period of 14 days after your order is delivered to your home.
The shade is a piece of amber-tinted glass, shaped like a flattened pebble resting on three legs.
The tint is obtained by adding metal oxides to the molten glass: it runs through the full thickness and does not deteriorate over time.
The glass stays transparent, which reveals the bulb and turns the filament into a decorative feature.
This interplay between transparency and warm colour comes from 1970s Italian design, the period when coloured glass entered interiors.
Three slender black metal legs support the glass and lift it a few centimetres off the furniture.
The contrast is deliberate: a round, glossy mass above, a graphic, dark structure below.
The tripod frees up the space under the lamp, making the object visually lighter than a solid base.
On a bedside table, a sideboard or an entrance console, the lamp gives a warm light and adds a touch of colour by day.
A beautiful shape is not enough: the material still has to accept it. Before approving a design, we go through it with the workshops that will make it. Here is how one of our pieces came to life.

It all starts with a trend. We follow what circulates on Pinterest, Instagram and interior blogs, and we spot the styles on the rise. Here it was the natural look: plant fibres, wide shapes, warm tones. We also look at where the piece will live, and this one needs height or width: above a large table, in a stairwell, under a cathedral ceiling.

The style appelle la fibre végétale, mais toutes ne se valent pas. L'osier casse au cintrage, le jonc de mer reste raide. Le rotin, lui, est une liane de palmier grimpant d'Asie du Sud-Est : trempée, elle devient souple et accepte n'importe quelle courbe, puis se fige en séchant. Sur une pièce de cette envergure, ce rapport entre souplesse au montage et tenue une fois sec décide de tout.

This is where many fine ideas stop. Before going further, we ask the workshop what the material really allows: at that span, will rattan hold? The answer comes down to one simple step, soaking. The strands go into water until they turn supple, they can then be bent without breaking, and they set as they dry. Once feasibility is confirmed, we move on to the drawing.

A flared, very open shape, almost a hat, with rods spaced far enough apart for the light to pass between them. The proportions are drawn and redrawn: too flat and the shade dazzles, too deep and it traps the light. A real piece is then assembled and switched on, and we look at the radiating pattern it casts on the ceiling.
Once the design is approved, the workshop starts the production run. The pieces reach the warehouse, where order pickers wrap them one by one before dispatch, ready to dress a new home.